Razom for Ukraine and the American Literary Translators Association

Published: August 26, 2026

Razom for Ukraine and the American Literary Translators Association

Announce Joint Venture

August 26, 2026—Razom for Ukraine and the American Literary Translators Association (ALTA) are excited to announce the establishment of two new programs. Through this new partnership, ALTA will administer the Razom Mentorship for Decolonial Translation and the Razom Ukrainian Translation Award.

“This partnership with ALTA marks an important step in building lasting infrastructure for Ukrainian literature in translation,” said Anna Solovei, Interim Connect Program Director at Razom for Ukraine. “Ukrainian voices have too often been filtered through frameworks that obscure or diminish them. By centering decolonial approaches to translation and investing in both emerging and established translators, we hope to help create a more accurate, more resonant space for Ukrainian—and other historically marginalized—literatures in English. We’re grateful to ALTA for their partnership and expertise in bringing these programs to life.”

“We’re delighted to enter into partnership with Razom for Ukraine, whose work we so admire, to offer this mentorship and award,” said ALTA Executive Director Katrine Øgaard Jensen. “We’re humbled by the trust shown in our organization to administer these new programs: one to foster the next generation of literary translators, and one to recognize the excellent work of our colleagues. We are excited to begin work on these initiatives.”

The Razom Mentorship for Decolonial Translation will foster emerging literary translators working with literature from historically marginalized regions and languages, through a dedicated mentorship stream that pairs emerging translators with experienced mentors, with a different regional or language focus each year. This mentorship will be offered annually starting in 2027. Applications for the first year of this mentorship, which will offer a focus on Ukrainian-language literature with mentor Dominique Hoffman, open next week, on September 1, 2026.

The Razom Ukrainian Translation Award will sustain and recognize excellence in literary translation from Ukrainian and other languages of Ukraine into English. This award will be judged and awarded annually starting in 2027. Submissions will open, alongside the other awards ALTA administers, in mid-January 2027.

Razom for Ukraine is a leading U.S.-based nonprofit organization working to build a secure, democratic, and prosperous Ukraine. Founded in 2014, Razom (“together” in Ukrainian) supports urgent needs in Ukraine while investing in long-term solutions across health, civil society, advocacy, and culture. As Ukraine’s future has global implications, Razom strengthens trauma care systems, supports local leaders and communities, and connects Ukraine to the world. For more information, visit razomforukraine.org.

The American Literary Translators Association (ALTA) is a nonprofit arts membership association that provides programs and professional affiliation to the literary translation community: individual translators, academic institutions, presses, and others working in literary translation. The annual ALTA conference and year-round events are structured around the creation of high-quality art. ALTA also administers awards to recognize excellence in translation and provides fellowships and mentorships to support emerging translators. For more information, visit literarytranslators.org.

Razom for Ukraine Announces Fourth Annual Ukrainian Cultural Festival, Opening with US Premiere at Carnegie Hall

Published: August 18, 2026

Razom for Ukraine Announces Fourth Annual Ukrainian Cultural Festival, Opening with US Premiere at Carnegie Hall

NEW YORK, NY, August 18 — Razom for Ukraine today announced the return of its Ukrainian Cultural Festival (UCF), a celebration of Ukrainian arts and culture across New York City, running October 18 through November 6, 2026. Now in its fourth year, UCF spans performing arts, cinema, theater, and literature, and continues Razom’s mission of connecting American audiences with Ukrainian voices, artists, and institutions.

The festival opens on October 18 at Carnegie Hall with the US premiere of “Steel, Violet, Rage,” a Concerto for Piano Four Hands and Orchestra by Ukrainian composer Oleh Bezborodko, believed to be the first piano four hands concerto ever written by a Ukrainian composer. The piece is inspired by a poem by Maksym Kryvtsov, a Ukrainian soldier and poet who was killed in the war shortly after writing it. The concerto will be performed by the Shelest Piano Duo alongside the Brandywine Valley Symphony Chamber Orchestra, conducted by Michael Hall, in partnership with the Alexander & Buono Foundation. A donor reception follows the performance. Tickets available at Carnegie Hall event page.

Throughout the festival, Razom Cinema partners with DCTV and QUAD Cinema to present a curated weekend of Ukrainian film programming from October 22 through 26. Highlights include the opening night screening of “Sanatorium,” directed by Gar O’Rourke, and a slate of features and documentaries exploring war, resilience, identity, and community, several developed in partnership with Ukrainian film festivals including Linoleum, Docudays, and Sunny Bunny. The cinema weekend also features a screening of the documentary “Scream of My Blood: A Gogol Bordello Story” with a special appearance by documentary subject and punk music legend Eugene Hütz.

On October 26, Dash Arts (London) presents a workshop of “The Reckoning,” a bilingual documentary style theater piece developed from verified witness testimony gathered by The Reckoning Project, ahead of its North American tour. The workshop is produced in New York in partnership with ArKtype, the original producer of the Public Theater’s Under the Radar Festival.

The festival’s literary programming includes “Poet as Witness” at Poets House on October 28, featuring Ukrainian poets and soldiers Lesyk Panasiuk and Yaryna Chornohuz alongside their translators, and a program on Lesia Ukrainka as “The Modernist Playwright America Has Yet to Discover” at the New York Public Library on October 30. The event features a reading of excerpts from Ukrainka’s two renowned plays “The Blue Rose” (1896) and “Cassandra” (1908), and a panel discussion exploring what possibilities Ukrainka’s fierce and psychologically charged work offers for the contemporary American theater artists and how her plays can be reimagined today.

UCF closes on November 6 at Carnegie Hall’s Zankel Recital Hall with a performance by the Kyiv Lysenko State Music Lyceum Chamber Girls Choir together with the Westchester Children’s Chorus. The former is one of Ukraine’s premier youth choral ensembles and an international competition winner with past performances in Vatican City and at the Berlin Philharmonie. Both choirs take the stage side by side for the national anthems of Ukraine and the United States, followed by their own programs.

“We invest in culture because it’s essential, not optional. Razom’s cultural work – sharing Ukrainian arts, culture and stories – helps the world understand the real Ukraine; its creativity, resilience, and humanity.” – Ania Solovei, Razom Connect Interim Director

Tickets and full programming details are available at ucfnyc.org.

Media inquiries can be directed to Hannah Goldshlack-Wolf at hannah@wildkatpr.com (+19173302046).

About Razom:

Razom for Ukraine Applauds Senate Passage of Lindsey O. Graham Sanctioning Russia and Iran Act, Calls on House to Act Without Delay

Published: August 7, 2026

FOR IMMEDIATE RELEASE

Razom for Ukraine Applauds Senate Passage of Lindsey O. Graham Sanctioning Russia and Iran Act, Calls on House to Act Without Delay

Washington, D.C., August 7, 2026 —Today, a bipartisan supermajority of Senators passed the Lindsey O. Graham Sanctioning Russia and Iran Act of 2026, which targets Russia’s financial sector and puts a substantial pressure on Moscow and its enablers to end the brutal war against Ukraine. We are grateful to every Senator who supported this critical legislation.

“This marks the second piece of pro-Ukraine legislation to pass a chamber of Congress in just over two months,” said Daniel Balson, Director of Advocacy at Razom for Ukraine. “Ukraine’s battlefield successes have injected new urgency into Congress, while Putin’s relentless attacks on civilians have hardened its resolve. The House must now meet the moment by passing this bill and sending it to President Trump’s desk for signature.”

“The strong bipartisan support for this bill is a fitting tribute to Senator Lindsey Graham, who devoted years to supporting Ukraine as it bravely resisted Putin’s war machine. We are glad to see senators from both parties ready to take up the torch in the fight for freedom and democracy.”

Americans across the political spectrum have consistently supported stronger sanctions on Russia. The Lindsey O. Graham Sanctioning Russia Act answers that bipartisan demand by providing a comprehensive set of tools to weaken Russia’s economy while extending sanctions on Iran — a key military partner of the Kremlin that has also attacked U.S. troops in the Middle East.

“Putin should be under no illusion: the longer he continues his illegal war, the higher the cost he will face. We thank President Trump for publicly backing this legislation. Ukraine’s many supporters across the country now expect Congress to finish the job and make this bill law,” said Daniel Balson.

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Razom for Ukraine is a U.S. nonprofit providing medical and humanitarian aid to Ukraine and a leading advocate for continued U.S. assistance to Ukraine. For more information or to request an interview, please contact: Ostap Yarysh, Media Advisor at Razom for Ukraine ostap.yarysh@razom.org

Why the World Needs Ukrainian Books

Published: July 8, 2026

Dear friends of Razom,

This is Kateryna Kazimirova, Razom Literature Program Lead, and I want to take you with me to Kyiv, where last week of May, under skies that couldn’t decide between sirens and the heavy bloom of peonies, one of the most important literary events in the world took place.

But first, let me tell you why I’m the one writing this letter.

Growing up in Donetsk, I was fortunate to be surrounded by books, the people who wrote them, and brilliant teachers who introduced me to both. I went to study literary theory, later taught it, built a life inside Ukrainian literature, and took for granted that this world mattered beyond its own borders. Then, in 2014, Russia occupied my home and succeeded not only in seizing territory, but in imposing its fiction – about Donbas, about Ukraine, about who belonged where. I watched it happen with two kinds of grief: the obvious one, along with a quieter realization that Ukraine’s writers, the people I considered heroes, were unknown outside my world.

Why did so few people know the writers who had shaped me? How could a nation with such a rich literary tradition remain so invisible abroad? Most importantly, in light of all that happened, how are we going to change that?

For the last decade, already in Kyiv, I had been trying to do my part by running a literary journal, and creating innovative tools to promote Ukrainian culture like Chapter Ukraine. Now I have joined Razom to expand our shared mission of helping the world discover Ukrainian literature. This year, I came back to Arsenal on behalf of Razom to participate in the festival and organize a panel on one of the questions I think about most: what actually stands between Ukrainian books and anglophone readers?

An Arsenal of a Different Kind

When I call it the best literary festival in the world, this is not only my sentiment. In 2019, Book Arsenal was recognized as the world’s best literary festival of the year at the International Publishing Industry Excellence Awards organized by the London Book Fair. It has been running annually since 2012, skipping only twice: during the pandemic outbreak and the year of the full-scale invasion. It came back in 2023, grew to 35,000 visitors in 2024, and, like Ukraine, is stronger every year since.

Why “Arsenal”? The building where the festival takes place was originally built in 1783 by imperial decree as a weapons depot – a fortress-like structure with walls six feet thick, covering nearly twenty-five acres in the heart of Kyiv. But the ground it stands on is older than that: the site was a 16th-century convent, whose most prominent patron was the mother of Hetman Ivan Mazepa – the Ukrainian leader who defied Peter I and became a lasting symbol of resistance to Russian rule. The empire demolished the convent and built an arsenal in its place. Ukrainians eventually took the arsenal back and filled it with books instead.

My own Arsenal story started in 2015, when I fled Donetsk to Kyiv and found, once again, what I had lost: a community of booklovers and cultural professionals that felt like home. In the years when I wasn’t working in culture full-time, I would take a week off work just for the festival, spending days discovering new books, listening to authors, panel discussions, and then finding friends in the garden as the evening came, reading poetry to each other and talking for hours.

This one week of the year, everyone comes, no matter where the last twelve months have scattered us. We synchronize our clocks, make plans, and simply be together. But the magnetism runs deeper. Arsenal is one of those rare places where you feel fully alive – concentrated, meaningful, part of something larger than yourself. Where the line between past and present dissolves, and you can feel the full weight of a cultural tradition that has been carried across generations and is still being carried, right now, by the people standing next to you. You listen to one of the sharpest minds alive give a talk that rearranges something in your thinking, then meet them in the coffee queue twenty minutes later and talk like old friends. Where else does that happen?

And underneath all of it is the simple act of being here. Of having made it through another year. Once you have been part of the world of Arsenal, something in you keeps returning to it, the way you return to a place that has known you at your best.

Bear Your Freedom

Each year Arsenal has a theme. This year it was Bear Your Freedom, curated by Maksym Butkevych – journalist, human rights activist, former POW, who spent 913 days in Russian captivity before being released in October 2024. Razom supports his initiative Principle of Hope, which develops materials supporting the psychological recovery of returning prisoners, and separate guidance helping soldiers understand how to preserve their lives in captivity.

His central argument: freedom and responsibility are inseparable – “siamese twins” and the greater danger is not that freedom is taken from us, but that we surrender it willingly, trading it for comfort or the illusion of stability. For Butkevych, freedom is never only about oneself, but about those beside us, the ability to build the future together and defend it together: “Perhaps this is Ukraine’s new mission today: not only to fight for freedom, but to help the world rediscover its value.”

One more topic within this theme was the fragility of heroism. Writers and soldiers Artem Chapeye and Artur Dron put it plainly: a hero is not someone without fear or exhaustion, but someone who keeps moving despite both. As Dron said, society creates “bronze” heroes out of convenience, so everyone else can watch from the sidelines and feel absolved. The real call is to see the person behind the symbol, recognize their needs, and act – because bearing freedom together means no one should carry it alone.

On the day of our panel, I arrived early, before the festival opened to the public. Walking through one of the pavilions, I came across the room full of military chaplains – still, present, sacred. Later that day, one of them presented a new book titled Care for the Spirit. And then, watching the main stage fill for readings by soldier-writers, and the lines snaking through the courtyard for their book signing, I realized that combatant literature is no longer a niche: it is the mainstream. It is simply the most honest account of the life Ukrainians are living now.

The Highest Form of Communication

Arsenal’s Writers’ Program, curated by writer and soldier Andriy Lyubka, opened with a deceptively simple question: What do we actually know about our neighbors? We share borders with Slovakia, Romania, Hungary, and can barely name five of their writers. When knowledge is scarce, stereotypes fill the gap. For a country that cannot afford adversaries on two fronts, genuine neighborliness is a question of survival.

Among the writers on the Arsenal main stage was Polish Nobel laureate Olga Tokarczuk, who argued that Central European identity is defined not by stable borders but by their absence – by fluidity, fragmentation, a world that keeps shifting underfoot. It is precisely this instability, she said, that produces writers who cannot rely on realism alone, and it is this shared inheritance that connects Ukraine to its neighbors more deeply than any political agreement.

Tokarczuk had something important to say about the power of literature itself: humans are narrative creatures who understand the world through stories, not facts. Literature is the highest form of communication: it reaches where information cannot, using metaphor and symbol to convey truths. In times of war and propaganda, literature is the clean breath; it forces a reckoning with complexity, protects identity the way a magnetic field protects against external force. She reminded the audience that Poland survived 123 years without a state, through language and culture alone.

Fieldwork in Ukrainian Sex

Among 240 events that Arsenal hosted across four days were poetry readings that moved to bomb shelters mid-session, a Theatre of Veterans, workshops, music, slam poetry, mile-long signing queues, and in the evenings wild dancing under folk and electronic beats. But one of the most attended was a conversation marking the 30th anniversary of Oksana Zabuzhko’s Fieldwork in Ukrainian Sex with Maria Genkin, Razom’s Board Co-Chair, among the speakers.

The book follows a Ukrainian woman writer navigating love, identity, and the weight of post-Soviet womanhood. Publishers at the time genuinely doubted that a Ukrainian-language novel could sell. But it became the first national bestseller of its kind, went through at least seventeen editions, 25 languages, and opened the doors for an entire generation of writers.

Thirty years later, teenage girls return to it as a psychotherapeutic text. Elif Batuman cited it as the book that made her reconsider Russian literature’s colonial hold. Zabuzhko said she no longer owns it – it has become something collective. And in the context of the war, the conversation kept returning to one idea: when a culture is known, and its books are read, a nation becomes harder to kill.

Three Percent Ceiling: Razom’s Way to Break It

Despite the impact of books like Zabuzhko’s across borders, did you know that only 3% of books published in the American market are translated from other languages, all other languages combined? The anglophone market is the hardest literary market in the world to break into. And yet it is the one that matters most for global visibility.

That is why at Book Arsenal, Razom brought together on the main stage a panel of people who know this market from the inside. Emma Shercliffe – a UK literary agent who has sold more Ukrainian titles to British and American publishers than almost anyone – opened by dispelling a persistent myth: people are not tired of the Ukrainian theme. One of her Ukrainian authors is currently her best-selling title. The appetite is real, extending well beyond war narratives into fiction, history, culture. Emma was unambiguous about the quality: the level of intellectual thought in Ukrainian literature, she said, is deeply stimulating, and Ukraine’s top authors hold their own against any international writers. Visibility is no longer the main problem. What remains: the near-absence of agents, the need to be strategic about which publishers you sell rights to, and a grant system that remains practically inaccessible to the larger publishers who could do the most with a book.

Maria Genkin added a pattern she keeps seeing: selling rights to the wrong American publishers – a major new novel going to an academic press that will never invest in promotion. The book comes out, nobody notices, and everyone concludes Ukrainian literature doesn’t sell. Her point was direct: do not sell global rights to a single publisher. Some of those publishers aren’t even eligible for major literary awards, which means no long or shortlisting, no reviews, no bookstore purchases, no second life for the book. Razom’s role is to act as a mediator, helping authors and publishers navigate this complicated market.

Andriy Kurkov, Ukraine’s most internationally bestselling author, drew the distinction that the UK and US markets operate by entirely different rules. The American market is its own thing – more closed, slower to warm up. Kurkov knew this firsthand: his first attempt in 2001 failed not because of the books, but because the publisher did nothing. If a publisher isn’t investing in promotion, books don’t reach shelves. If books don’t reach shelves, nobody finds them. The logic is circular and self-defeating, and it has nothing to do with the quality of the writing. His second attempt in 2018 worked: “The goal is always to arrive and stay. And if you’ve got in and stayed, that’s already a great victory.”

I concluded with what I see as the core problem: the absence of a self-sustaining infrastructure where every part of the system does its job. The real question is delivery: how does a great Ukrainian book actually get onto bookstore and library shelves, and stay there? Here is what Razom is doing about it. We invest in translators as a profession through mentorships, the new Razom Translation Award, and partnerships with leading literary translation institutions in the US and UK. We offer translation grants that are accessible to larger publishers precisely because we don’t require a book to be completed and published within a single year – the constraint that makes most grant programs unworkable for major presses. To date, we have supported eight books; several high-profile titles are coming from major presses in 2027 that would not exist without Razom’s involvement. We also support promotion and, this year, editing – unique among grant programs. And through Chapter Ukraine, we build communities of readers in libraries, universities, and grassroots organizations who advocate for Ukrainian books from the ground up.

Every literary tradition that reached the world stage arrived with a new artistry and language for it – one that captured a reality the world hadn’t yet found words for. The stream eventually broke through its geographical borders and became universal. Ukrainian literature has already formed that language: raw honesty, fragile heroism, self-reliance, a direct way of looking at what most literature looks away from. The current is moving. Is the American reader ready to meet it?

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P.S. As I am finishing this letter, the news came in: Russia struck the Kyiv Pechersk Lavra – the 11th-century cathedral that is a UNESCO World Heritage site – setting its roof on fire while monks and rescue workers formed human chains to save the icons. As firefighters were still battling the blaze, a second strike hit Mystetskyi Arsenal, the building where Book Arsenal takes place. The Dovzhenko National Film Studio was also hit, destroying Ukraine’s largest and oldest costume collection, 100,000 garments, gone. Once again, Russian aggression deliberately strikes Ukraine’s cultural heritage.

Patriot Production License for Ukraine Will Save Lives and Help End the War

Published: July 8, 2026

FOR IMMEDIATE RELEASE

Razom for Ukraine: Patriot Production License for Ukraine Will Save Lives and Help End the War

Washington, D.C., July 8, 2026 — Today, President Trump announced that the United States will authorize licensed production of Patriot interceptors in Ukraine—a landmark decision that will save lives, strengthen U.S. interests, and help bring Russia’s war to an end.

“President Trump stands on the right side of history. He stands with the winners. And this is a win-win for both Ukraine and the United States,” said Melinda Haring, Senior Advisor at Razom for Ukraine. “Licensed production will allow Ukraine to better defend its people without drawing down existing U.S. stockpiles.”

“Russia is losing on the battlefield and sustaining increasingly humiliating deep strikes against the oil infrastructure that fuels its war machine. Putin’s remaining tool is terror: ballistic missile strikes on Ukrainian cities designed to kill civilians and break the country’s will.”

While producing Patriots would give Ukraine a strong shield for tomorrow, it also needs ammunition for tonight. A sustained, uninterrupted flow of interceptors through existing programs is crucial to fulfill an urgent need for air defense to protect civilians in Ukraine as Russia attacks their homes on a daily basis.

“Ukrainians are winners. They have repeatedly demonstrated their ingenuity and ability to rapidly master advanced technologies under wartime conditions. We urge President Trump and his administration to immediately implement the licensing agreement, and maintain the flow of existing Patriot interceptors to Ukraine while domestic production ramps up,” said Melinda Haring.

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Razom for Ukraine Launches Inaugural I’mmortal / Безсмертні Fellowship

Published: July 1, 2026

FOR IMMEDIATE RELEASE
July 1, 2026
Razom for Ukraine Launches Inaugural I’mmortal / Безсмертні Fellowship
Five Transatlantic Arts-in-Health Partnerships to Gather at Wesleyan University This Fall

New York, NY – Today Razom for Ukraine announced the inaugural cohort of the I’mmortal / Безсмертні Fellowship, Razom’s first Arts-in-Health program, developed in partnership with Wesleyan University’s Center for the Arts. Drawing from 35 applications submitted by NGOs, cultural collectives, artists, clinicians, and institutional partners across Ukraine and the United States, a selection committee of field experts chose five cross-border partnerships to co-develop projects using creative practice to transform mental health, physical rehabilitation, and community reintegration. Each partnership receives an implementation grant of up to $10,000 and full residency support for a week-long in-person gathering at Wesleyan University, November 2–7, 2026, culminating in a public Capstone Showcase on November 7th in Middletown, Connecticut.

The fellowship is built on a foundational recognition: Ukraine is currently a vital frontier for innovations in trauma recovery. The I’mmortal program matches artists and healers with institutional partners, including hospitals, universities, veterans’ centers, and NGOs, to develop collaborative projects that neither partner could conceive or execute alone. The long-term goal is that projects piloted in 2026 will move into full implementation in Ukraine in 2027.

“Art has always been how people make meaning and take care of communities in the hardest moments,” said Theodora Chomiak, CEO of Razom for Ukraine. “The I’mmortal Fellowship exists to put that idea into practice, across borders, and at the highest level of attention.”

“Where science maps the trauma, the arts map our humanity, providing the truth and wisdom needed to heal,” said Katja Kolcio, Chair of the Dance Department and Professor of Environmental Studies at Wesleyan University. “By bringing these extraordinary Ukrainian and American partners to Wesleyan, we are moving creative practice from the margins of healthcare straight to the center, proving that cultural expression is a critical, rigorous pillar of health, community resilience, and our collective capacity to build a better world.”

THE 2026 COHORT

GATHERING AROUND THE FIRE: ARTS, HEALING, AND RESILIENCE

Jessica Hecht / Alexandra Zaslav / The Campfire Project (New York, NY) x Mariana Ivanovych / Marcin Piotrowski / Folkowisko Ukraine (Nahachiv, Lviv region)

Therapeutic arts programming for children and youth in Western Ukraine, bringing together local and displaced populations to process war trauma, build resilience, and strengthen community through daily creative practice in dance, visual art, theater, and music, delivered through a trauma-informed, culturally adaptive framework. A parallel practitioner training strand, drawing on resources from the WHO and Jameel Arts and Health Lab, equips local educators and aid workers with tools they can sustain independently.

ARTSCAPES OF CARE: COMMUNITY WORKSHOPS & TOOLKIT

Nathalie Robelot-Timtchenko / Oleksandra Kliushnova / Joanna Wroblewska / First Aid of the Soul (Kyiv / Washington, D.C.) x Kerry Kincy (Middletown, CT) x Dr. Midori Samson (Lawrence, KS)

Trauma-informed, arts-based workshops for artists, community healers, educators, and mental health practitioners in the Lviv region, integrating soundscapes and deep listening, movement, visual storytelling, and embodied creative practice. The project will produce a replicable toolkit for Ukrainian organizations to continue and adapt the work independently.

RHYTHM AS REGULATION

Yekaterina Chizayeva (New Orleans, LA) x Kateryna Taranova (Kyiv/Lviv/Slavsko)

A transnational methodology exchange investigating how rhythm, through music, dance, voice, and body-based practice, can support nervous system regulation, reduce anxiety symptoms, and aid recovery from sensory disorientation caused by war-related sonic exposure. Two intensive methodology labs, one in Slavsko, Ukraine and one in New Orleans, bring together U.S. and Ukrainian artists to develop and prototype shared, cross-cultural protocols.

“ME – THE OTHER”: INCLUSIVE THEATRE & NARRATIVE RESTORATION INITIATIVE

Deb Gottesman / The Theatre Lab – Life Stories Institute (Washington, D.C.) x Yuliia Vintoniv / Ukrainian Catholic University (Lviv)

An inclusive theatre initiative bringing together people with congenital and acquired disabilities, including those with war-related injuries, alongside students and community members to create original dramatic work from lived experience. The Theatre Lab’s over twenty years of autobiographical theatre practice meets Yuliia Vintoniv’s expertise in disability-inclusive education at Ukrainian Catholic University, with a pilot university course launching in 2027.

MOVING, IMAGINING, AND UNBROKEN

Román Baca / Exit12 Dance Company (New York, NY) x Alina Spas / Dr. Brendan Bo O’Connor / Imagination Lab (Albany, NY) x Dr. Yuliia Rozmyrska / Lesya Ukrainka Volyn National University (Lutsk)

A co-authored dance and movement program designed specifically for Ukrainian combat veterans, wounded and non-wounded alike, that integrates Exit12’s proven trauma-informed methodology with surrealism-based visual arts practice. The program is not an export of an American model but a genuine co-authorship, adapted entirely for Ukraine’s cultural moment and the realities of its combatants. Pilot workshops will be conducted in the New York area before full implementation in Ukraine in 2027.

ABOUT RAZOM FOR UKRAINE

Razom for Ukraine (which means “together” in Ukrainian) is a U.S.-based nonprofit founded in 2014 that works to build a secure, prosperous, and democratic Ukraine. The organization operates across program areas including humanitarian aid, health, advocacy, and cultural initiatives, addressing both immediate needs and long-term recovery. Through Razom Connect, Razom positions culture as a vital part of its mission alongside humanitarian aid and advocacy, demonstrating that cultural visibility is essential to global understanding and solidarity.

ABOUT WESLEYAN UNIVERSITY’S CENTER FOR THE ARTS

Wesleyan University’s Center for the Arts integrates world-class venues with a dedicated team of curators, producers, and technicians to advance creative practice as foundational to a liberal arts education. By bringing global artists into a dynamic relationship with the campus, the Center for the Arts supports critical research, interdisciplinary collaboration, and experimentation. At Wesleyan, the arts serve as an essential form of inquiry, teaching, and public engagement, cultivating bold thinkers who value embodied experience and community connection.

PRESS CONTACT

Rachel Shuey

rachel.shuey@razomforukraine.org

706-399-3333

razomforukraine.org

Colonel (Ret.) Warren C. Dorlac: Why One of America’s Leading Trauma Surgeons Keeps Coming Back to Ukraine

Published: May 28, 2026

Colonel (Ret.) Warren C. Dorlac first came to Ukraine in 2022, shortly after Russia’s full-scale invasion.

A retired U.S. Air Force trauma surgeon, Warren spent more than two decades helping shape trauma systems that changed how lives are saved on and off the battlefield. Over the course of his career, he served as Chief of Trauma at Landstuhl Regional Medical Center in Germany, led Critical Care Air Transport teams, advised the U.S. Air Force Surgeon General, and became one of the leading voices in combat casualty care and military trauma systems in the United States.

When the war in Ukraine escalated, Warren saw an opportunity to help share lessons learned from previous wars and support Ukrainian medical professionals facing challenges few healthcare systems in the world have experienced in recent history.

“Freedom is not free,” Warren said during our conversation in Kyiv. “I really do feel like this is an international effort, and we all need to be in and doing something.”

Over the last several years, that commitment has brought him back to Ukraine multiple times through partnerships and medical education initiatives supported by Razom.

From SOMA to Kyiv

Earlier this year, Warren was recognized at SOMA 2026 for his contributions to military medicine and combat casualty care. During his remarks, he spoke about Ukraine and Ukrainian defenders — something that felt natural for those who know how closely he has worked with Ukrainian teams over the last several years.

Through Razom partnerships and medical education initiatives, Warren worked alongside Ukrainian surgeons, combat medics, defenders, and trainers both in the United States and in Ukraine. He joined Ukrainian teams at SOMA, spent time with defenders connected to Razom, and continued building relationships with medical professionals working under extraordinary circumstances.

“The Ukrainians keep getting hit, and they keep bouncing back,” Warren said. “They’ve shown the ability to adapt, and I think the ability to adapt under any situation is greatly impressive.”

This summer marked Warren’s second ASSET training in Kyiv with Razom and Ukrainian medical professionals. ASSET+ is an advanced surgical trauma training program required for U.S. Army military surgeons before deployment to forward surgical teams. Through Razom Health’s Co-Pilot Project and partnerships with Ukrainian medical professionals, Ukraine became the 33rd country to implement the program.

But what stood out during our conversation was that Warren never spoke about the work as a one-way exchange.

“We learn from just about everybody that is in the course with us,” he said. “We learn things they’re doing that we may not have thought of. Hopefully it’s a two-way exchange.”

What Ukraine Is Teaching the World

Throughout his career, Warren helped build trauma systems based on lessons learned from previous wars. Today, he believes many of the experiences Ukrainian medical professionals and combat medics are facing will shape the future of battlefield medicine far beyond Ukraine itself.

“The battlefield is changing every four months,” he said. “What worked four months ago will not work today.”

According to Warren, Ukrainian experiences with prolonged evacuations, prolonged field care, medical logistics, underground medicine, and battlefield drone threats are already changing how many medical professionals think about trauma care and survival in modern war.

“I think this war is going to be one of those wars that shapes future care for years to come,” he said.

Those lessons are already influencing conversations around Tactical Combat Casualty Care (TCCC) and military trauma systems internationally. Warren described how experiences from Ukraine are helping shape updated recommendations and discussions inside the American military medical community.

“I think the people, number one,” he said when asked what stands out most about Ukraine. “Everybody that we’ve worked with over the last four years has just been so kind.”

More Than a Project

For Warren, some of the most meaningful moments happen after trainings end.

After courses, Ukrainian surgeons often stay in contact, sharing updates, case reports, and stories from the field. Sometimes they describe using techniques from the training for the first time during real surgical situations.

“For the surgeon, it’s kind of the ultimate thing,” Warren said. “You worked with somebody on learning a new skill and then they’re able to go out and do it and be successful.”

Many of the younger Ukrainian surgeons he works with entered wartime medicine very early in their careers, often without the years of experience surgeons would normally have before facing such complex trauma cases.

“These young surgeons have gone right to the battlefield and now they’re doing some of the hardest work that’s out there,” he said.

That reality makes long-term partnerships especially important — not only for sharing knowledge, but for supporting Ukrainian medical professionals as they continue building and adapting systems during war.

“One of the motivations for us being here is just the camaraderie that we all feel working with everyone,” Warren said. “The Razom team has been wonderful… everybody feels like family.”

“Everybody Can Do Something”

Warren understands that not everybody can travel to Ukraine or work directly in medicine. But during our conversation, he repeatedly returned to the idea that support still matters.

“You don’t have to do a lot,” he said. “You don’t have to get on a plane and fly over to the country, but you can help with donations, supplies, equipment… every little bit helps.”

He also acknowledged how difficult it can be for people outside Ukraine to fully understand the reality of this war.

“I think it’s hard for most Americans to really comprehend what it’s like to have your own country invaded,” he said. “The total war that is currently going on — medical personnel, hospitals being targeted — it’s just not something that we can really comprehend.”

Still, he believes people can choose to stay engaged and continue supporting Ukraine in different ways.

“Education is a great way to help,” Warren said. “There’s a lot of places helping… but I think we could always do more.”

Watch the full interview with Warren Dorlac below.

Razom, Esper Bionics, and Ukrainian clinical partners launch a new initiative to expand access to advanced prosthetic care in Ukraine

Published: May 27, 2026

Razom, Esper Bionics, and Ukrainian clinical partners
launch a new initiative to expand access to advanced prosthetic care in Ukraine

Razom for Ukraine, Esper Bionics, and Ukrainian clinical partners are launching a new initiative to expand access to advanced prosthetic care for people living with limb loss in Ukraine.

This project is about helping people regain independence, dignity, confidence, and a path back to daily life — while also strengthening Ukraine’s prosthetics ecosystem for the future.

At the center of the initiative are the patients themselves: Ukrainians whose lives have been changed by injury and who are rebuilding their futures as they return to work, family life, and community participation. “The program is designed to support people through a full pathway of care, from assessment and fitting to adaptation and follow-up, so that the prosthesis becomes part of long-term recovery rather than a one-time intervention.” said Dmytro Gazda, CEO of Esper Bionics.

The initiative also reflects the strength and ingenuity already present in Ukraine. Esper Bionics, a Ukrainian company developing advanced bionic prosthetics, brings technical innovation to the project. Ukrainian clinical partners bring the medical expertise and rehabilitation support needed to help patients integrate these devices into everyday life.

Razom’s role, as public health implementation expert, is to connect donor resources, clinical providers, and patients into coherent projects that work inside Ukraine’s public health system. We standardize how partners coordinate, stay compliant with national health regulations, and report results, ensuring each project strengthens the system rather than running parallel to it.

“This project is about helping people get back to their lives, while also showing that Ukraine is building modern recovery pathways under extraordinary conditions,” said Dora Chomiak, CEO of Razom. “It is a bridge between the US and Ukraine, connecting resources, expertise, and legitimacy with Ukrainian innovation, talent, and resilience.”

The project is also being built with sustainability in mind. Razom is working to ensure that the initiative complements, not replaces, Ukraine’s existing government support system, with careful attention to patient eligibility, continuity of care, and long-term access to state assistance.

Through this partnership, the initiative aims to show what is possible when patient needs, public health implementation expertise, and Ukrainian innovation come together. It is a story of recovery, systems-building, and partnership — and a reminder that what is being created in Ukraine today can help shape recovery and rehabilitation far beyond Ukraine’s borders.

About Razom

Razom is a leading U.S.-based nonprofit organization working to build a secure, democratic, and prosperous Ukraine. Founded in 2014, Razom (“together” in Ukrainian) supports urgent needs in Ukraine while investing in long-term solutions across health, civil society, advocacy, and culture. As Ukraine’s future has global implications, Razom strengthens trauma care systems, supports local leaders and communities, and connects Ukraine to the world.

About Esper Bionics

Esper Bionics is a Ukrainian company developing advanced bionic prosthetic solutions designed to restore function, independence, and quality of life for people living with limb loss.

About the clinical partners

Ukrainian clinical partners are helping make this initiative possible by providing the medical expertise, rehabilitation support, and patient care needed for successful prosthetic fitting and adaptation.

Press Contact:Iryna Gudyma
iryna.gudyma@razom.org

“Bring Kids Back”: 20,000 Teddy Bears Installed on National Mall to Highlight Russia’s Abduction of Ukrainian Children

Published: April 24, 2026

“Bring Kids Back”: 20,000 Teddy Bears Installed on National Mall to Highlight Russia’s Abduction of Ukrainian Children

Washington, D.C. — On Thursday, April 23, Razom for Ukraine installed a 230-foot-wide, 8-foot-tall fence on the National Mall in Washington, D.C., covered with 20,000 teddy bears. Each plush toy represents a Ukrainian child abducted by Russia since the start of the full-scale invasion.

The installation, titled “Bring Kids Back,” was created over five days (Friday through Tuesday) by more than 50 volunteers, with over 120 volunteers involved in total. The display featured white, brown, maroon, and red teddy bears. Maroon and red bears formed a message reading: “Putin abducted 20,000 Ukrainian children. Bring Kids Back.”

In addition to organizers Razom for Ukraine and its partner American Coalition for Ukraine, the installation was attended by Ukraine’s Ambassador to the U.S. Olha Stefanishyna, Rep. Michael McCaul (R-TX-10), Sen. Amy Klobuchar (D-MN), Rep. Jamie Raskin (D-MD-8), Rep. Joe Wilson (R-SC-2), and Sen. Richard Blumenthal (D-CT).

Because the return of abducted children is a sensitive issue and publicizing details may endanger ongoing rescue efforts, organizers used a symbolic approach to tell their stories.

“Because the return of stolen children is such a sensitive matter, and because publicizing details about children who remain missing can endanger rescue efforts, we searched for a symbolic way to tell their stories. That’s why we chose a teddy bear, a universal symbol of childhood. Each teddy bear represents one child abducted by Russia, and there are 20,000 of them behind me. These are the children that we know were stolen. But how many others are there? The real number of abducted children could be as high as 200,000 kids. And in that case, the installation would span from the Lincoln Memorial all the way to the Washington Monument,”
— Katya Pavlevych, Advisor on Children’s Issues, Razom for Ukraine

“Since the beginning of the war, Ukraine has already returned more than 2,000 kids. These 2,000 are living witnesses who say they were forced to forget their identity, their names, where they come from, and that they had families. They were forced to build a new identity. But I am absolutely confident that all Ukrainian children will come back.”
— Olha Stefanishyna, Ukraine’s Ambassador to the U.S.

“I met four teenagers who had been in captivity, taken from battlefields and towns that had been destroyed—kids who lost both parents. Somehow, they were able to get cell phones and call their grandmothers from inside Russia. People would cross enemy lines to bring those kids back. I will always go back to President Zelensky’s words on the first day of the invasion: ‘We are here.’ With this installation of 20,000 teddy bears, we say again: we are here.”
— Sen. Amy Klobuchar (D-MN)

“What Putin is doing to tens of thousands of children—more than 20,000—is a war crime. That is why I am working on a bipartisan bill in Congress to declare Vladimir Putin a war criminal if he does not return those children. I will take this teddy bear with me when I return to Ukraine in May for my 11th trip.

We need sanctions. We need military aid. We need economic assistance. America must do its part. And I call on the president: do your job. Stand for democracy. Stand with Ukraine.”
— Sen. Richard Blumenthal (D-CT)

“As a father of five, I cannot imagine my children being subjected to this kind of evil. This is why I introduced a resolution calling for any ceasefire agreement to include the return of abducted children. I also introduced bipartisan legislation calling for targeted sanctions on anyone dealing in Russian oil. We must make Russia pay for its crimes.”

“Putin’s plan goes far beyond Ukraine. They are preparing children for a war with NATO itself.”
— Rep. Michael McCaul (R-TX-10)

“To kidnap children in the middle of a military conflict is a blatant violation of human rights law and international humanitarian law. It is a war crime, and if done intentionally to destroy a people, it is evidence of genocide. We are calling on everyone of conscience across America and in the administration to take action today to bring Ukraine’s children home.”
— Rep. Jamie Raskin (D-MD-8)

“The kidnapping of Ukrainian children by war criminal Putin is the same as the kidnapping of Polish children by Hitler. We must all work together to put an end to it.”
— Rep. Joe Wilson (R-SC-2)

“This is not a side effect of war. It is a deliberate strategy of cultural annihilation. The International Criminal Court has recognized it, the world has recognized it, and yet these children are still not home. Their return is non-negotiable.”
— Marianna Tretiak, Chair, American Coalition for Ukraine

The installation is intended to travel to other U.S. cities and events, with additional requests already received from partner organizations.

Razom for Ukraine is a U.S. nonprofit providing medical and humanitarian aid to Ukraine and serving as a leading advocate for continued U.S. support for Ukraine. For additional information, please contact our media advisors: Kateryna Lisunova at kateryna.lisunova@razomforukraine.org or +1 (347) 421-1755, or Ostap Yarysh at ostap.yarysh@razom.org or +1 (202) 560-2282.

Pro-Ukraine Organization Puts Up Billboard in Brownsville Calling Out Rep. Gonzalez for Meeting with Russian War Criminals

Published: April 13, 2026

FOR IMMEDIATE RELEASE

April 13, 2026

Pro-Ukraine Organization Puts Up Billboard in Brownsville Calling Out Rep. Gonzalez for Meeting with Russian War Criminals

Washington, D.C. — Razom for Ukraine, a U.S. non-profit organization that advocates for greater U.S. support for Ukraine, placed a Spanish-language billboard on the intersection of International Blvd and Van Buren Street in Brownsville, TX to call on Rep. Vicente Gonzalez to publicly explain his decision to meet Russian legislators on March 26. As the only member of the Democratic party present, he gave the illusion of bipartisan legitimacy to a meeting with members of Russia’s parliament who have championed the Kremlin’s war of aggression and crimes against humanity in Ukraine.

“We expect this from fringe radicals,” said Mykola Murskyj, Director of Advocacy at Razom for Ukraine, “but Representative Gonzalez’s presence did severe damage to Democratic solidarity for Ukraine and could be seen to legitimize a regime that has helped Iran kill U.S. soldiers in the Middle East. Fellow Democrats should be demanding answers from his office about his decision to shake hands with these war criminals.” With 77% of Americans supporting stronger sanctions on Russia to end its war in Ukraine, not détente, Rep. Gonzalez and the other representatives present have proven themselves to be out of step with U.S. public opinion.

“Anyone who says that it’s always appropriate to have a conversation with an adversary doesn’t understand Russia’s propaganda machine,” continued Murskyj. “This decision handed Russian operatives a propaganda victory by lending a veneer of bipartisanship to a meeting with officials tied to the war. The Russian legislators came to advance the Kremlin’s aims, including gathering intelligence. They did not come to engage in dialogue or pursue peace. Russia uses meetings like this to divide allies, weaken sanctions, and advance its war effort.”

Tens of millions of Americans who support Ukraine will continue to use all resources available to demand answers from Rep. Gonzalez and any other U.S. officials who legitimize Russia’s campaign of violence against Ukraine.

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