Razom for Ukraine and the American Literary Translators Association

Published: August 26, 2026

Razom for Ukraine and the American Literary Translators Association

Announce Joint Venture

August 26, 2026—Razom for Ukraine and the American Literary Translators Association (ALTA) are excited to announce the establishment of two new programs. Through this new partnership, ALTA will administer the Razom Mentorship for Decolonial Translation and the Razom Ukrainian Translation Award.

“This partnership with ALTA marks an important step in building lasting infrastructure for Ukrainian literature in translation,” said Anna Solovei, Interim Connect Program Director at Razom for Ukraine. “Ukrainian voices have too often been filtered through frameworks that obscure or diminish them. By centering decolonial approaches to translation and investing in both emerging and established translators, we hope to help create a more accurate, more resonant space for Ukrainian—and other historically marginalized—literatures in English. We’re grateful to ALTA for their partnership and expertise in bringing these programs to life.”

“We’re delighted to enter into partnership with Razom for Ukraine, whose work we so admire, to offer this mentorship and award,” said ALTA Executive Director Katrine Øgaard Jensen. “We’re humbled by the trust shown in our organization to administer these new programs: one to foster the next generation of literary translators, and one to recognize the excellent work of our colleagues. We are excited to begin work on these initiatives.”

The Razom Mentorship for Decolonial Translation will foster emerging literary translators working with literature from historically marginalized regions and languages, through a dedicated mentorship stream that pairs emerging translators with experienced mentors, with a different regional or language focus each year. This mentorship will be offered annually starting in 2027. Applications for the first year of this mentorship, which will offer a focus on Ukrainian-language literature with mentor Dominique Hoffman, open next week, on September 1, 2026.

The Razom Ukrainian Translation Award will sustain and recognize excellence in literary translation from Ukrainian and other languages of Ukraine into English. This award will be judged and awarded annually starting in 2027. Submissions will open, alongside the other awards ALTA administers, in mid-January 2027.

Razom for Ukraine is a leading U.S.-based nonprofit organization working to build a secure, democratic, and prosperous Ukraine. Founded in 2014, Razom (“together” in Ukrainian) supports urgent needs in Ukraine while investing in long-term solutions across health, civil society, advocacy, and culture. As Ukraine’s future has global implications, Razom strengthens trauma care systems, supports local leaders and communities, and connects Ukraine to the world. For more information, visit razomforukraine.org.

The American Literary Translators Association (ALTA) is a nonprofit arts membership association that provides programs and professional affiliation to the literary translation community: individual translators, academic institutions, presses, and others working in literary translation. The annual ALTA conference and year-round events are structured around the creation of high-quality art. ALTA also administers awards to recognize excellence in translation and provides fellowships and mentorships to support emerging translators. For more information, visit literarytranslators.org.

Razom for Ukraine Announces Fourth Annual Ukrainian Cultural Festival, Opening with US Premiere at Carnegie Hall

Published: August 18, 2026

Razom for Ukraine Announces Fourth Annual Ukrainian Cultural Festival, Opening with US Premiere at Carnegie Hall

NEW YORK, NY, August 18 — Razom for Ukraine today announced the return of its Ukrainian Cultural Festival (UCF), a celebration of Ukrainian arts and culture across New York City, running October 18 through November 6, 2026. Now in its fourth year, UCF spans performing arts, cinema, theater, and literature, and continues Razom’s mission of connecting American audiences with Ukrainian voices, artists, and institutions.

The festival opens on October 18 at Carnegie Hall with the US premiere of “Steel, Violet, Rage,” a Concerto for Piano Four Hands and Orchestra by Ukrainian composer Oleh Bezborodko, believed to be the first piano four hands concerto ever written by a Ukrainian composer. The piece is inspired by a poem by Maksym Kryvtsov, a Ukrainian soldier and poet who was killed in the war shortly after writing it. The concerto will be performed by the Shelest Piano Duo alongside the Brandywine Valley Symphony Chamber Orchestra, conducted by Michael Hall, in partnership with the Alexander & Buono Foundation. A donor reception follows the performance. Tickets available at Carnegie Hall event page.

Throughout the festival, Razom Cinema partners with DCTV and QUAD Cinema to present a curated weekend of Ukrainian film programming from October 22 through 26. Highlights include the opening night screening of “Sanatorium,” directed by Gar O’Rourke, and a slate of features and documentaries exploring war, resilience, identity, and community, several developed in partnership with Ukrainian film festivals including Linoleum, Docudays, and Sunny Bunny. The cinema weekend also features a screening of the documentary “Scream of My Blood: A Gogol Bordello Story” with a special appearance by documentary subject and punk music legend Eugene Hütz.

On October 26, Dash Arts (London) presents a workshop of “The Reckoning,” a bilingual documentary style theater piece developed from verified witness testimony gathered by The Reckoning Project, ahead of its North American tour. The workshop is produced in New York in partnership with ArKtype, the original producer of the Public Theater’s Under the Radar Festival.

The festival’s literary programming includes “Poet as Witness” at Poets House on October 28, featuring Ukrainian poets and soldiers Lesyk Panasiuk and Yaryna Chornohuz alongside their translators, and a program on Lesia Ukrainka as “The Modernist Playwright America Has Yet to Discover” at the New York Public Library on October 30. The event features a reading of excerpts from Ukrainka’s two renowned plays “The Blue Rose” (1896) and “Cassandra” (1908), and a panel discussion exploring what possibilities Ukrainka’s fierce and psychologically charged work offers for the contemporary American theater artists and how her plays can be reimagined today.

UCF closes on November 6 at Carnegie Hall’s Zankel Recital Hall with a performance by the Kyiv Lysenko State Music Lyceum Chamber Girls Choir together with the Westchester Children’s Chorus. The former is one of Ukraine’s premier youth choral ensembles and an international competition winner with past performances in Vatican City and at the Berlin Philharmonie. Both choirs take the stage side by side for the national anthems of Ukraine and the United States, followed by their own programs.

“We invest in culture because it’s essential, not optional. Razom’s cultural work – sharing Ukrainian arts, culture and stories – helps the world understand the real Ukraine; its creativity, resilience, and humanity.” – Ania Solovei, Razom Connect Interim Director

Tickets and full programming details are available at ucfnyc.org.

Media inquiries can be directed to Hannah Goldshlack-Wolf at hannah@wildkatpr.com (+19173302046).

About Razom:

Russia Is Not Only Attacking People. It Is Attacking Ukraine’s Memory, Culture, and Identity.

Published: June 16, 2026

On the night of June 15, Russia launched one of its largest attacks in recent months.

More than 70 missiles and 611 Russian-Iranian drones were fired across Ukraine, with over 60 missiles targeting Kyiv.

The attack once again claimed civilian lives and caused extensive damage to residential neighborhoods and civilian infrastructure. But its consequences extend far beyond physical destruction.

An Attack on the Heart of Ukraine’s Faith, Culture, and History

That same night, Russia struck something that cannot be quickly rebuilt or replaced.

Ukraine’s cultural heritage came under attack.

One of the most painful symbols of this assault was the Kyiv-Pechersk Lavra.

Founded in 1051, the Lavra is one of Europe’s oldest monastic complexes and a UNESCO World Heritage Site. For nearly a thousand years, it has remained a spiritual, historical, and cultural center of Ukraine.

For millions of Ukrainians, the Kyiv-Pechersk Lavra is far more than an architectural landmark. Generations have come here to pray, seek comfort, celebrate life’s milestones, and preserve a connection to their history. The site houses sacred relics, manuscripts, religious artworks, and centuries of cultural memory.

As a result of Russia’s attack, parts of the Lavra complex were damaged, and a fire broke out in the Dormition Cathedral.

“Once again, we see these barbaric acts committed by Russians, for whom nothing is sacred. It is horrifying that while calling themselves Christians, they strike at the very heart of our people. Once again, this reveals exactly who we are dealing with,” said the Vicar of the Kyiv-Pechersk Lavra following the attack.

The damage to the Lavra serves as another reminder that this war is not only directed against Ukrainian cities and communities.

It is directed against Ukrainian identity itself.

Culture Under Fire

During the same attack, Russia damaged Mystetskyi Arsenal, one of Ukraine’s most important cultural institutions. The Arsenal hosts international exhibitions, educational programs, major artistic initiatives, and the country’s largest annual book festival.

Reflecting on the attack, Mystetskyi Arsenal Director General Olesia Ostrovska-Liuta drew a striking historical parallel:

“It is remarkable that the Russian drone struck the exact same location that was hit by a Nazi bomb during World War II. It is some kind of mystical coincidence — perhaps the souls of aggressors united?”

Russian strikes also damaged the Oleksandr Dovzhenko National Film Studio, the birthplace of Ukrainian cinema.

According to the studio’s officials, its primary costume archive was destroyed. Approximately 100,000 costumes and priceless archival materials documenting decades of Ukrainian film history were lost.

“Costumes from such iconic films as Shadows of Forgotten Ancestors, The Lost Letter, and Bohdan Khmelnytsky were stored here. Now this building has been completely destroyed — there is practically nothing left,” said studio director Andriy Donchyk.

Other cultural institutions damaged during the attack include the Kharkiv Art Museum and the House of Organ and Chamber Music in Dnipro.

And all of this happened in a single night.

Since the beginning of the full-scale invasion, Russia has systematically targeted Ukraine’s cultural heritage. According to Ukraine’s Ministry of Culture, as of May 2026, 1,783 cultural heritage sites and 2,540 cultural infrastructure facilities have been damaged or destroyed across the country.

UNESCO has independently verified damage to at least 534 cultural sites, including museums, libraries, historic landmarks, archaeological sites, and more than 150 religious buildings.

These figures reveal a disturbing reality: Russia is waging war not only against Ukraine’s cities and communities, but also against its historical memory, culture, and identity.

They Came to the Rescue

That same night, Russia once again demonstrated its complete disregard for human life.

In Kharkiv, five emergency responders from Ukraine’s State Emergency Service (DSNS) were killed.

After an initial strike on a civilian industrial facility, emergency crews arrived to assist victims and assess the damage.

They were doing what they have done every day since the start of the full-scale invasion: searching for survivors, helping the wounded, extinguishing fires, and protecting communities.

After receiving warnings of a possible second strike, the rescuers left the facility and moved to another location, following safety protocols.

Moments later, a second missile struck near where they had gathered.

Five emergency responders were killed instantly.

Several others were injured.

“One of the missiles struck approximately 30 meters from the rescuers, who had managed to leave the facility and were standing in a wooded area near the fence. Unfortunately, the missile struck directly at those who save lives,” said Bohdan Hladkykh, Director of Kharkiv’s Department of Emergency Situations.

These men were not soldiers. They were not engaged in combat. They had come to save civilian lives.

Russia’s double-tap strikes have become one of the most dangerous and deliberate tactics of this war. After an initial attack, emergency responders, medics, and rescue crews arrive at the scene. A second strike then follows.

The targets are the people helping others.

Since the first day of the full-scale invasion, Razom has supported emergency responders, firefighters, medics, and rescue teams across Ukraine. They are often the first to arrive after an attack and the last to leave once the rescue operation is complete.

Their service is a service to life itself.

That is why the deaths of these five rescuers in Kharkiv represent a tragedy not only for their families and colleagues, but for all of Ukraine.

The Goal Is Not Only Destruction

When emergency responders are killed while trying to save others, it is an attack on humaneness.

When the Kyiv-Pechersk Lavra is damaged, it is an attack on spiritual heritage.

When film archives are destroyed and museums are struck, it is an attack on cultural memory.

All of these acts are part of a larger pattern.

Since the beginning of the full-scale invasion, Russia has damaged or destroyed hundreds of religious and cultural sites across Ukraine. Churches, museums, theaters, libraries, archives, and historic landmarks have all come under attack.

These are not accidental losses.

They are not unavoidable consequences of war.

They are systematic attacks on the foundations of Ukrainian identity and resilience.

When humaneness, culture and faith are targeted, the goal is not simply destruction.

The goal is erasure.

Why This Matters to All of Us

Cultural heritage does not belong to one nation alone.

When a UNESCO World Heritage Site is damaged, when museum collections are destroyed, or when irreplaceable archives are lost, humanity loses a part of its shared history.

That is why protecting Ukrainian culture is not solely a Ukrainian issue.

It is a matter of preserving memory, history, and values that transcend borders.

At Razom, we work every day to ensure that Ukrainian stories continue to be seen, heard, and understood around the world. We document attacks on Ukrainian culture, amplify the voices of those defending their communities, and ensure that the world does not look away from efforts to erase an entire nation’s heritage.

Today, we honor the memory of the five DSNS rescuers who lost their lives while serving others.

We also remind the world of the churches, museums, archives, and cultural institutions that Russia continues to attack.

Ukraine continues to resist.
And as long as there are people saving lives, preserving culture, and telling the truth, Ukraine can never be erased.

A Ukrainian masterpiece on the walls of Carnegie Hall

Published: December 30, 2025

The original musical notes of the legendary Ukrainian song ‘Carol of the Bells’ are now displayed on the wall of Carnegie Hall!

This month, a new piece was officially opened in Carnegie Hall’s prestigious Composers Gallery: a high-quality facsimile of the original notes for ‘Shchedryk’, the iconic Ukrainian song known worldwide as ‘Carol of the Bells’.

Its original manuscript is preserved at the Institute of Manuscripts of the V. Vernadsky National Library of Ukraine. The facsimile at Carnegie Hall offers an opportunity to recognize the Ukrainian origins of one of the world’s most renowned musical works.

Printed by Razom and delivered to Carnegie Hall’s archives, these notes are now on display, quickly becoming a favorite stop for guided tours of the historic venue.

It is significant that the cultural artifact is clearly identified as being composed by a Ukrainian artist, a fact that, until recently, was mainly unknown outside of the tight-knit Ukrainian diaspora. Now, they sit alongside notes by legends like Pete Seeger and just a step away from Beethoven.

Shchedryk first premiered at Carnegie Hall in 1922, when Ukrainians were fighting for freedom. Today, a century later, it has become a hallmark of the holiday season in the United States and stands as a testament to Ukrainian culture and resilience.

The 100th-anniversary concert, Notes from Ukraine, organized by Razom together with the Ukrainian Institute and the Ukrainian Contemporary Music Festival (UCMF) on December 4, 2022, brought this history full circle.

Dozens of volunteers helped make the concert possible, and its success has become a model for Carnegie Hall staff: ‘Make it like the Carol of the Bells concert’ is now a phrase used when planning other events.

A century after its premiere on this very stage, these notes celebrate not just a song, but a story of resilience, identity, and the enduring spirit of Ukraine.

This historic moment is now documented in the book Shchedryk. We look forward to seeing its publication in English, so it will allow the story to connect with and touch the hearts of an audience around the world.

The Composers Gallery ensures that the Ukrainian story behind Carol of the Bells will be remembered, celebrated, and shared for generations to come.

The initiative became possible in tight collaboration with the Embassy of Ukraine in the United States, the Institute of Manuscripts of the V. I. Vernadskyi National Library of Ukraine, the Vernadskyi National Library of Ukraine, and the Permanent Mission of Ukraine to the United Nations.

This is one example of how Ukrainian culture is being reclaimed and properly recognized worldwide. Join us in ensuring Ukraine’s story is told truthfully!

Voices That Endure: New Ukrainian Books for a World That Must Listen

Published: September 12, 2025

As Ukrainians fight for their freedom, they never stop speaking to the wider world—telling stories that carry grief and hope, rage and resilience, loss and love. This year, several powerful new books have been released in English, ensuring that Ukrainian voices are heard far beyond the battlefield. These works are not only literature; they are testaments of endurance, identity, and truth.

Artem Chapeye

Ordinary People Don’t Carry Machine Guns

Translator: Zenia H. Tompkins

Artem Chapaye, a journalist and novelist turned soldier, once embraced pacifism. In this book, he reckons with what happens when war is thrust upon “ordinary people.” His raw account challenges readers to consider the choices forced upon Ukrainians when survival itself is at stake.

Danielle Leavitt

By the Second Spring

Seven Lives and One Year of the War in Ukraine

Through seven deeply human portraits, Danielle Leavitt chronicles a year of war that reshaped lives forever. Her prose brings readers into kitchens, streets, and hospital rooms, revealing intimate moments that show not just suffering, but also endurance and unexpected tenderness in wartime.

Victoria Amelina

Looking at Women, Looking at War

Prose translated by Daisy Gibbons
Poetry translated by Uilleam Blacker

The final work of the late Victoria Amelina, one of Ukraine’s brightest literary voices, is both a witness account and an elegy. On the evening of June 27th, 2023, Amelina and three international writers stopped for dinner in the embattled Donetsk region. When a Russian cruise missile hit the restaurant, Amelina suffered grievous head injuries, and lost consciousness. She died on July 1st. She was thirty-seven. She left behind an incredible account of the ravages of war and the cost of resistance. Honest, intimate, and wry, this book will be celebrated as a classic.

THE ORWELL PRIZE FOR POLITICAL WRITING winner

Olia Hercules

Strong Roots

This is an ode to the land, to ideas of home and belonging, and to family stories and recipes passed down the generations – the tang of sour cherries, the best way to make borsch. It is an account of resilience in the hardest of circumstances. Strong Roots brims with hope and grief. It lays bare the compromises and betrayals of generations struggling and surviving through war, peace, invasion and exile. It is an uplifting reminder of how much the human spirit can endure when born from a land rich with strong roots.

To meet Olian Hercules and two more Ukrainian writers as they explore what it means to live with, remember, and resist occupation, join us on October 24 at an event that is part of Razom’s Ukrainian Cultural Festival. Secure your tickets here.

Women and War

Letters from Ukraine to the Free World

Edited and translated by Aurélie Bros

How would you communicate the realities of living in a warzone to someone who has never had this experience? Thirty Ukrainian women, ages 10 to 72, answered this question in letters that emanate power, depth, pain, strength, and resilience. These fragments of life reveal the horrors of conflict but also the humanity of survivors.

These books remind us that war is not only fought on the frontlines, but also in stories, memories, and the will to speak truth to the world.

Look for some of these authors during Razom’s Ukrainian Cultural Festival in October – and most of all, seek out their books. By reading them, you honor their courage, carry their voices forward, and ensure that Ukraine’s story is never silenced.

Razom Celebrates Women in Translation Month

Published: August 5, 2025

Women in Translation (WiT) Month, celebrated annually in August, is an initiative focused on celebrating women writers from around the world – especially those writing in languages other than English. A fully volunteer-led movement, WiT was started by a book blogger and lifelong bibliophile Meytal Radzinski in 2014 and has become a staple of the literary community since. WiT aims to celebrate and promote translated literature by women and highlight the underrepresentation of women authors in translated works – a gender imbalance where a disproportionate number of translated books are written by men and come from Western European countries. We invite you to celebrate WiT Razom (together) with us by seeking out, reading, discussing, and sharing books written and translated by Ukrainian women. We share a few options to get your exploration started below.

Algometry by Iryna Vikyrchak (translated by Nina Murray)

Algometry is a lyrical portrait of the generation of Ukrainians who grew up and were shaped by the common and individual painful inner and outer experiences, to become the most resilient and brave nation. Algometry is a term of physiology and neurology, but it is not the physical pain that is the recurring motif of the book: the speaker, a millennial woman who grew up in Western Ukraine in the 90s, takes us through the three thematic corridors emphasizing emotional sensitivity, hyper-empathy, and inner strength.

Ivan and Phoebe by Oksana Lutsyshyna (translated by Nina Murray)

Married couple Ivan and Phoebe grapple with questions about family, tragedy, and independence. Although protagonist Ivan tells the story, Phoebe’s voice rings through the text. The two reflect on the harrowing aftermath of revolution: torture at the hands of the KGB and each other. Ivan refuses to talk about his pain, while Phoebe recounts her past wounds through poetic monologues. The story bounces between politically charged cities like Kyiv and Lviv and Ivan’s small, traditional hometown of Uzhhorod. As characters come to exercise their rights to free speech and protest, they must also reevaluate the norms of marriage and home life. These initially appear to be spaces of peace and harmony but are soon revealed to be hotbeds of conflict and multigenerational trauma.

Love Life by Oksana Lutsyshyna (translated by Nina Murray)

Love Life, the second novel by the award-winning Ukrainian writer and poet Oksana Lutsyshyna, follows Yora, an immigrant to the United States from Ukraine. A delicate soul who is finely attuned to the nuances of human relations, Yora becomes enmeshed with Sebastian, a seductive acquaintance who suggests that they share a deep bond. But the relationship ends, sending her into a period of despair and grief. Full of mystic allusions, Love Life is a fascinating story of self-discovery amidst the complexities of adapting to a new life.

The God of Freedom by Yulia Musakovska (translated by Olena Jennings)

In Yuliya Musakovska’s newest poetry collection, The God of Freedom, she reveals, facet by facet, the landscape of a turbulent, contemporary Ukraine. Equal parts intimate and expansive, the poems follow the societal struggles of women and their families, the trauma of returning soldiers, and the peoples’ future under the shadow of war and its tumultuous past.

Cecil the Lion Had to Die by Olena Stiazhkina (translated by Dominique Hoffman)

In Cecil the Lion Had to Die, Olena Stiazhkina follows four families through radical transformations when the Soviet Union unexpectedly implodes, independent Ukraine emerges, and neoimperial Russia occupies Ukraine’s Crimea and parts of the Donbas. Just as Stiazhkina’s decision to transition to writing in Ukrainian as part of her civic stance–performed in this book that begins in Russian and ends in Ukrainian–the stark choices of family members take them in different directions, presenting a multifaceted and nuanced Donbas.

https://bookshop.org/p/books/cecil-the-lion-had-to-die-olena-stiazhkina/18801733

My Women by Yuliya Iliukha (translated by Hanna Leliv)

Yuliia Iliukha’s My Women, translated from Ukrainian by Hanna Leliv, is an urgent and poignant story collection of women confronted by the countless brutalities of war. It locates the voices and devastating experiences of those who have been silenced, those who have lost loved ones, those who have fought and persevered, and those who have broken down.

Forgottenness by Tanja Maljartschuk (translated by Zenia Tompkins)

An award-winning novel from one of Ukraine’s most prolific contemporary authors, Forgottenness tells a spellbinding story of belonging and uprootedness, as understood by two exiles across time.

A Crash Course in Molotov Cocktails by Halyna Kruk (translated by Amelia M Glaser and Yuliya Ilchuk)

These stunning poems of witness by one of Ukraine’s most revered poets are by turns breathless, philosophical, and visionary. Leading readers into the world’s darkest spaces, Kruk implies that the light of language can nevertheless afford some measure of protection. Naming serves as a shield, albeit a wooden one.

Lost in Living by Halyna Kruk (translated by Dzvinia Orlowsky and Ali Kinsella)

Lost in Living presents Halyna Kruk’s unpublished work from the immediate “pre-invasion” years when life in Ukraine was marked by turmoil but full-scale war was not yet normalized. In these “dear poems that don’t pain [her] like those about the war do,” Kruk uses imagery and tone to underscore poetic agency, at times juxtaposing figurative language with a calm, direct voice to bring her poems to life. Nature cannot be relied on to sustain nor renew, and life is shown to be fundamentally vulnerable.

The Museum of Abandoned Secrets by Oksana Zabuzhko (translated by Nina Murray)

Spanning sixty tumultuous years of Ukrainian history, this multigenerational saga weaves a dramatic and intricate web of love, sex, friendship, and death. At its center: three women linked by the abandoned secrets of the past–secrets that refuse to remain hidden.

Fieldwork in Ukrainian Sex by Oksana Zabuzhko (translated by Halyna Hryn)

Called “the most influential Ukrainian book for the 15 years of independence, Field Work in Ukrainian Sex by Oksana Zabuzhko is the tale of one woman’s personal revolt provoked by a top literary scandal of the decade.

Read. Share. Advocate.

Literature is a tool for amplifying Ukrainian voices – especially women’s voices during WiT Month. Read these books, share them, and use them in your advocacy.

Learn more about Ukrainian books at razomforukraine.org/razom-literature

Ukrainian Voices That Cannot Be Erased

Published: March 25, 2025

This week, a Trump-appointed special envoy and a real estate developer Steven Witkoff claimed that Ukrainian regions currently occupied by Russia are “Russian-speaking, and there have been referendums where the overwhelming majority of the people have indicated that they want to be under Russian rule.”

This statement erases the realities of millions of Ukrainians who have been displaced, imprisoned, and killed as a result of Russia’s invasions and occupations. It ignores the brutal repression of Ukrainian identity, language, and culture in these regions. To counter such narratives, it is crucial to amplify the voices of those who have lived through these events.

Razom Literature is dedicated to bringing Ukrainian stories to readers worldwide—stories that document resilience, survival, and the truth of what Russia’s war has meant for Ukrainians. Below, we highlight books by authors from Luhansk and Donetsk who offer first hand perspectives on life before and after Russian occupation.

Olena Stiazhkina - Ukraine. War. Love. and Cecile the Lion Had to Die

Olena Stiazhkina, a historian and former Russian-speaking writer from Donetsk, explores the impact of Russia’s 2014 invasion on her hometown.

Ukraine. War. Love. chronicles daily life under occupation, while Cecile the Lion Had to Die traces the generational shift from Soviet to Ukrainian identities. The novel itself reflects this transformation, beginning in Russian and transitioning to Ukrainian—a powerful statement of resistance and self-determination in the face of war.

Buy Ukraine. War. Love. HERE
Buy Cecile the Lion Had to Die HERE

Stanislav Aseyev – The Torture Camp on Paradise Street

Stanislav Aseyev, a Ukrainian journalist and writer, was imprisoned from 2015 to 2017 in a Russian-controlled concentration camp in Donetsk. His memoir documents the torture, psychological and physical abuse, and inhumane conditions endured by prisoners under the Russian occupation, offering an unfiltered account of Russia’s war crimes.

Buy The Torture Camp on Paradise Street HERE

Volodymyr Rafeyenko – Mondegreen and The Length of Days

Rafeyenko, a writer originally from Donetsk, explores displacement and identity in Mondegreen, the story of a refugee who flees the war and chooses to adopt the Ukrainian language. In The Length of Days, he crafts a fictionalized portrait of occupied Donbas, filled with dark humor, irony, and the painful absurdity of war.

Buy Mondegreen HERE
Buy The Length of Days HERE

Serhiy Zhadan – The Orphanage

Zhadan, one of Ukraine’s most acclaimed authors, was born in the currently occupied Luhansk region. His novel The Orphanage follows a Ukrainian language teacher navigating an occupied city to rescue his nephew, a journey that forces him to confront his own identity and loyalties.

These books are more than literature; they are testimonies of survival and resistance.

Buy The Orphanage HERE

Read. Share. Advocate.

Literature is a tool for amplifying Ukrainian voices and ensuring that stories like these are not forgotten. Read these books, share them, and use them in your advocacy.

Learn more about Ukrainian books at razomforukraine.org/razom-literature

Razom is a presenting partner on the US theatrical release of 20 Days in Mariupol

Published: July 31, 2023

A BRAVE, VISCERAL, MERCILESS MASTERPIECE… FEELS LIKE A CINEMATIC SIEGE OF THE SOUL.

Ed Vulliamy, The Guardian

Razom is proud to be a presenting partner with PBS Frontline and the Associated Press on the US theatrical release of the award-winning Ukrainian documentary “20 Days In Mariupol,” directed by the Pulitzer Prize-winning journalist and filmmaker, Mstyslav Chernov. Earlier this year, the film won the audience award at the Sundance Film Festival.

The documentary follows an AP team of Ukrainian journalists who were trapped in the Ukrainian city of Mariupol during the first weeks of Russia’s full-scale invasion. The film documents their struggle to continue their work documenting Russian atrocities. As the only international reporters who remained in the city, they captured what later became defining images of the war: dying children, mass graves, the bombing of a maternity hospital, and more.

Our own Polina Buchak and Christopher Atwood helped coordinate the screenings with PBS Frontline. After a packed pre-release private screening, Polina Buchak moderated a conversation with director Mstyslav Chernov. The two spoke about how and when his reporting shifted into documenting the invasion of the city. Mstyslav spoke about how he navigates being a journalist, filmmaker, and, most importantly, Ukrainian while documenting the brutal invasion of Mariupol.

Razom co-presented the sold-out first screenings of the film, on July 14th-16th in New York, together with the Ukrainian Institute of America and PEN America. We are proud to have connected the film to our extensive network of organizations and activists around the film to promote the screenings in cities around the country. We want to thank Film Forum for supporting Ukrainian storytelling as well as our friends at the Ukrainian Institute of America and PEN America for helping us amplify and raise awareness about the documentary. In fact, the film has proven so popular that its New York screening run at Film Forum has been extended until August 3rd.

We encourage you to help us continue to make noise and spread the word on social media and find tickets to a screening near you via 20daysinmariupol.com. Keep in mind that screening dates can be extended, so always double-check with your local theater. And remember to tag the filmmakers while you’re making noise online, so they can feel your support!

Razom Lounge 2019

Published: May 22, 2019

It was an amazing weekend at the 46th Annual St. George’s Ukrainian Festival in NYC. Razom Lounge presented recent Razom projects, hosted activities and interviews, had incredible Face Box and Ukrainian clay-making experiences, and much more!

continue reading →

Stories of Maidan

Published: December 24, 2018

In early December, Razom volunteers co-hosted an event with the Ukrainian Institute of America in New York City, marking the five years since the Ukrainian revolution began. The purpose of the event was to bring people together to share their own stories of how Maidan affected them in the year of 2013 and onwards. “Our question here today is ‘where were you in the winter of 2013? Who were you and how did Maidan change you?’”, said Maryna Prykhodko, one of the MC’s, as she welcomed the audience. continue reading →